Perry Chase.... Press Guardian

Perry Chase, aka The Press Guardian was yet another of the many fun, but largely forgotten 1940's back-up filler hero features from the early days of the ever popular Pep Comics series, via Archie. And while he doesn't really possess any SUPER hero powers, --as we'll be seeing in some of our other featured hero posts all this month, --he is one terrifically tough, masked reporter with those fists, threatening the bad guys with strangulation and torn throats, all the while saving the lovely damsels in distress in his endless pursuit of justice, and truth. The two stories I have for you today are unique to the series, because it appears to be the few horror themed examples of Press G encountering his nemesis "The Claw" in a pair of adventures where old house mad science and subtereanean monsters fit THOIA's bill rather nicely. Not to mention, Mort Meskin's old school art style really lends a wonderfully surreal, eerie quality to the all-out scrappy, beast battle action. Enjoy! From the Nov. / Dec. 1940 issues of Pep Comics #9, and Pep Comics #10. 

Better Tombs and Graveyards

In the late 50's, Pierce Publishing attempted to cash in on the MAD Magazine craze, frantically cranking out 5 issues of nicely illustrated comedy madness before calling it quits, --but not before assembling this silly monster mash spoof of Better Homes and Gardens for the April 1959 issue of Frantic! V2 #2.

Horror Under the Earth

One of the creepiest Al Eadeh / Atlas era monstrosities ever highlights this terrifyin' tale of horror from under the Earth. In our story, the creature is referred to as the "Cardiff Monster", not to be confused with the classic Cardiff Giant archeological hoax of the 1800's (CLICK HERE to read about it.) Still, it's a fun, fast paced and moody story, complete with a totally non-related, but none the less excellent, accompanying Bill Everett cover image. And apologies to those who notice how I completely bailed about half way through my own color-correcting process of this overly faded / yellow post too... from the February 1953 issue of Marvel Tales #111.

Maker of Monsters!

One last post for October 2024, and of course as promised, it's the fourth and final petrifyin' Plastic Man horror tale, as part of our "Spotlight Character of the Month!" And like our las Plas story, it's also from the March 1953 issue of Plastic Man #40 (what an issue btw!) and features even more incredible, action packed monster art mayhem, and laugh-out-loud lines of dialog. So before you make yourself up into a monster for Halloween tonight, read "Maker of Monsters!" --and we'll see you all next month for lots more too! HAPPY HALLOWEEN!

Ghoul of Ghost Swamp!!

Time for our third round of "Plas 'n Woozy Meet the Monsters" this month, as we continue plastically pummelin' onward with a super soggy, ghoulishly ghostly, and horrifically humorous entry from the March 1953 issue of Plastic Man #40. And if I've planned out this month correctly, we should have one more action-packed adventure before Halloween hits! CRACK!

Deadly Doodles of Dandy

Hear that grinding noise? Is that the monolithic mills of the Gods slowly turning, or is it just Mr. Karswell uploading the final post of September 2024? Could be one, or both, and with a silly title like "Deadly Doodles of Dandy" you may just find that this Goldfarb and Baer terror team-up isn't quite as cornball as ya'd think! From the very short-lived, second and final issue of Fantastic #9, via Youthful in April of 1952.

The Horror from the Shade

The weatherman says we're in for some cooler midwestern temps here starting tomorrow, and though we've spent the last two posts trapped in an incinerating chamber of CHILLS, it's now time to let 'ol Rudy Palais fling one last fistful of sweaty shade our way --and no, not that kind of shade! This is a really weird one from the August 1952 issue of Chamber of Chills #11, and good lord, please read the story carefully to avoid embarrassing yourself with comments like "is the last page missing?" or "ending feels too abrupt!" or whatever... the ending is rather brilliant if you ask me. And so is the smokin' hot Lee Elias cover illustration too.